Sneak Peek: “What Follows Sorrow”

Hello Friends!

Today I’d like to share with you the first chapter of the piece I am currently working on, “What Follows Sorrow.” This is a short story of a young couple, Emilia and Devin, who are trying desperately to have a baby. Of course they’ll have their HEA, but obviously, conflict won’t make it easy. This is dedicated to a dear friend of mine whose struggles were real, and whose triumphs were beautiful. Let me know what you think and if you have any sugg’s!! Enjoy and thank you!

Chapter 1

I grasp desperately at the tiny fragments of a bloody baby as it goes smoothly down the siphon of our hall toilet, without so much as a flush to help. It’s 3 a.m. The witching hour I’ve heard. This seems true. Cold pink water drips off my fingertips, magnified onto a white toilet seat. I fight the urge to wipe my tears with dirty hands. I glide over cold tiles, slowly making my way to the sink, dazed, confused, unsure if reality or dream moves me along. I couldn’t save him. He slipped right through my fingers. By the time I wrestled with pain and expulsion and realized what was happening, it was already too late. One year of dreams, of hope, down the drain. I cringe at the choice of words. I’m sorry baby. I can hear Devin calling for me from our bedroom down the hall. My use of the hall restroom was in vain. I won’t tell him. I can’t.

I try to steady the quiver in my voice with two slow breaths before I speak.

“I’m in the restroom. Go back to sleep.”

I know the response to come. “Why are you using the guest toilet?”

I desperately take inventory of my limited vocabulary inflicted by my state of mind. One word. One word. “Mexican!” I shout throwing my head sideways. The dinner we’d had the night before seemed so enchanting at the time; now, it’s only minutes away from coming back up, flaming through my esophagus.

Devin chuckles loudly, but sleepily. His lack of response assures me he’s drifting back into peaceful sleep, while I, I will be here, cleaning up the only proof that our baby ever existed, the deep red from the tile, the toilet, and smudged between my legs and running down to my ankles like rain drops on a window pane.

Thirty minutes later I’m crawling into a bed that no longer holds promise or peace, only nightmares of a tiny one calling out to me. “Mommy! Mommy!” I dive into a salty sea, burrowing through viscous waves that slap my face with a sting, but I can’t find him. He is no more.

I’m trembling when my husband shakes me.

“Emilia.” His voice is urgent and even before I can look at him, I can only know what his eyes will look like. “Wake up, Emilia.”

I open my eyes slowly, doubtfully, and learn the nightmare continues. A dampness cradles my bottom half. I am startled fully awake. In the lamplight I confirm that Devin’s eyes are wild with panic. I’m too afraid to flip over the blankets, as if a pit of snakes would be waiting underneath, so I slide a trembling hand underneath them, reach down and confirm my fears drizzled in wet, sticky warmth. I jerk my hand out, and as if I’d dipped it into a paint can, deep red manifests with enough to make a colorful handprint, one you’d date and frame, one my baby would have made when older. I feel faint, but not so much from the loss of blood as the sight of Devin’s pajama bottoms covered in it.

Twenty minutes later with both of us half-dressed from a mad dash of getting out of blood, I’m at the emergency room. I stare unfazed at the large red words EMERGENCY. It’s an emergency alright. The lavender towel that Devin grabbed and jammed between my legs has soaked through as if I submerged it into a sink full of warm water. I feel bad for the car seat and I am also ticked because the towel belonged to a set in our master bathroom. I make a quick mental note to replace the entire set. I’ll give our old one to the Goodwill.

I am just still debating the whole bathroom set scenario, going through complimentary colors so as to just interchange instead of completely replace, when Devin is at my window. He still has a bat-out-of-hell look and the window fogs from his breath. He is waving so furiously that I think to wave back when he reaches down and taps his index finger at the lock.

When my bloody fingers finally find purchase on the tiny, slim button, I realize our little Honda has power locks, and I’ve set off the alarm. Devin drops to the ground as if taking cover and I am completely soaked and baffled. He’s gone for some time before he reappears, fumbling wildly with the key remote to disarm the car. Before my slow hand can reach for the handle, the door is pulled open, and I am greeted by a wheelchair. I don’t quite recall how I got from the car into the chair, but within minutes, several pairs of hands go to work on me. Some at the top, more at the bottom.

I fumble drowsily for Devin’s hand. There it is. My anchor, but I find I’m disappointed. In the trial and tribulation of baby-making, I feel bitter. I can’t seem to find any hope in his touch. It’s not his fault. If it’s anyone’s fault, it’s mine. We can make a baby with some help, but I can’t carry a baby. My body is broken, yet I fight to suppress my anger against the only person in this world who is for me. Why? Because he innocently came along for the failed ride? I’m not sure. Just as I wrestle for any self-control, I’m pumped with meds, and they burn and pulse through the vein in my arm. I seal out my consciousness with a lick of my dry lips. I don’t care what happens next.

Posted in Char's Thoughts | Tagged , , , , , , , , , , , , , , , , | 6 Comments

Characters never rest

The constant chatter is always there, like white noise. But lately they’ve been plaguing my dreams and becoming louder when I’m awake. I blame my muse.  She’s trying to drive me crazy because I’ve ignored her for the last week. Not on purpose. I’ve been busy and haven’t written much in the last week. The day job has taken up most my time. Now that it’s the weekend I wanted to relax and catch up on writing business stuff.

But it appears the voices aren’t going to let me continue this “not writing” thing much longer. And I’m not the type to wait and see if they get hostile. :) Wait. Can the characters get hostile? Oh, but they can leave. I think that would be worse than anything. So today I have to split my time between critiquing and writing in my WIP.

I’m a writer. I can’t not write. It’s who I am. That’s means I have to write everyday. Even if it’s just for an hour. Next week I’m going back on my 1000 word a day schedule.  Because they win! LOL

In all seriousness, life moves around us in a continuous circle. We can’t stop or control certain aspects or events. There are times where we just can’t make it to the computer to write. So what do you to keep those creative juices flowing?

I’m a paper and pen person. I write down the rambling in my head on a notebook that I carry everywhere with me. That way when I can finally sit and write, I have my notes. Sometimes, like yesterday, I had conversations and a story line for a new series that I so don’t have time to start right now running through my head. I have my notes on it and even developed the characters for the first book. I done this a while back. So when they started speaking to me, I created a graphic web banner for the series. Now the series has a name and a tagline. :) And I can move on to my current WIP, which  I am under a deadline.

What do you do when life puts your writing on hold?

 

Posted in From Lia's Perspective! | Tagged , , , , , , | 6 Comments

There Goes My Hero! As For the Heroine….? by Char Chaffin

Since I started writing romance, I’ve realized I always name my heroes first, before I even think about an appropriate love interest for them. More often than not, I’ve also fleshed them out physically, too. I’d bet most romance authors pick one or the other main character, fairly consistently, and do the same thing. I also think it depends on what genre you write. For me, that’s contemporary/mainstream romance.

So, there I was a few weeks ago, ready to begin a new book. Did I have a vague outline of my plot? No. Did I have a tentative title? Nope. How about a general locale, narrowed down to either city or state? Negatory. What I did have was a tall, tanned, broad-shouldered man with a rangy build, large, elegant hands, shaggy brown hair that always seemed to need a trim, and piercing gray eyes. His wide smile showcased a dimple in his left cheek and sometimes he snorted when he laughed. And when he wasn’t laughing, his voice was a deep purr with a touch of Midwest twang.

I just created Tim O’Malley, who’s been in love with my heroine since high school.

There goes my hero.

It took me all of five minutes to compile Tim’s physical attributes, give him a name and figure out he’s been suffering from unrequited love for the last fifteen years.

I have yet to flesh out my heroine. I named her and that’s about it. After I gave her a name, I changed it twice, and I’m still not sure about the one I eventually chose. She might have short hair. She might be Italian. Or not. I think her eyelashes are thick. Or not. Freckles? Maybe. Maybe not.

So many decisions.

When I finish fleshing her out, I can only hope she’ll be the kind of girl my Tim O’Malley can fall helplessly in love with. If she isn’t, I’m going to have to rewrite her, because once I figure out my hero, he’s pretty much set in stone.

When I have my hero firmly lodged in my head (and in my heart), I place him. Region first, then town, then state. Region was easy: the Midwest seemed perfect for my Tim. I’m in absolute love with small towns, so there was no question Tim’s life would originate in one. As I gave it some thought, the town came to mind as easily as Tim’s gorgeous gray eyes, and Skitter Lake was born.

Now I have my wonderful hero, I know he’s a Midwest boy, and Skitter Lake is his hometown. As soon as I named the town, I knew I’d have to set my story in the past, and for some reason the year 1957 just made sense. At this point, my happiness knew no bounds, for I had an era, a hero, a town, and the vague beginnings of a plot.

Did I have a heroine? Uh-uh. Not quite yet.

I decided to email my critique partner and tell her I had the bare bones of my latest book. It took me about ten minutes to think up a synopsis, create an anti-hero as a contrast to Tim, and decide my story would begin with my anti-hero “getting the girl.”

Hey, I never said he’d keep her! Of course, I’m going to make him step aside. Just don’t ask me how. But I still don’t have the girl. Maybe this weekend she’ll come to me. Thing is, I know what her life is like and I know how I want my story to flow. I just don’t know her, yet. Not like I already know my Tim.

Thinking back on my last two books, this isn’t an unusual procedure for me. When I wrote Promises to Keep, I had Travis Quincy almost instantly. His sweet Annie, my young heroine, came to me weeks later. It was the same with Unsafe Haven, which is due to be released this fall. My hero, Denn Nulo, leapt from my fingers. His lady, the vulnerable Kendall, sort of crawled out from the keyboard after a few weeks of immersing myself in Denn.

I can’t wait to get started on Tim’s story. For now, my heroine is named Kathleen, but that’s subject to change. I hope I can see her soon. She’s a blank canvas and so I’ll have to look for that character palette I misplaced.

Yet for me, there’s nothing like those first few days of fleshing out a hero.

How about you? What comes first?

Char’s first novel, Promises to Keep, is available at Soul Mate Publishing,  Amazon and Barnes & Noble. Unsafe Haven, her latest novel, is due to be released fall 2012.

Posted in Char's Thoughts | Tagged , , , , , , , , , , , , | 15 Comments

Conflict is Essential

All fabulous books have the key ingredients: memorable characters, tantalizing plots, and some great conflicts ranging from romance to death rays. Without one of these, there is no story. Or at least an interesting one.

Inner conflict: What is going on inside the character emotionally. It could be overcoming a past relationship, his/her childhood, learning to stand up for him/herself etc. Inner conflict helps show our characters as 3 dimensional. We get into their head. It’s also intertwined within the plot.

Outer conflict: What is going on outside in the character’s world. A murder, a budding romance, a fire, a kidnapper, a car/train/plane/boat accident, power struggles at a company, etc. This helps propel the story along. An outside conflict ratchets up the stakes a character(s) is up against, making their goal harder to obtain.

Here are a couple examples from The Swan Cove Murders

Lena’s internal conflicts: One year prior, her fiance (Earl) was brutally murdered. At the beginning of the story, she’s still grieving and at the same time, she’s feeling guilty for her love of his brother, Nicholas. She’s tugged between the dead and the living. And she’s hating Nicholas because he’s attempting to take away her home.

Lena’s outer conflicts: First, her and Earl’s home is about to be taken from her by Nicholas through court.  Second, the judge orders her and Nicholas to reside in the home together for 30 days. Third, the ghost of Earl’s accused murderer is communicating with her.

All of these conflicts are essential to the story and of course Lena’s outcomes as well.

I recommend a great book on conflict: Conflict, Action, and Suspense by William Noble. This book stays close at hand when I’m writing and editing. You can purchase it at Amazon for a reasonable price.

AVAILABLE NOW @ Soul Mate Publishing: The Swan Cove Murders Coming June 6th: Secrets of Jenkins Bridge

Posted in Donna's Turn! | Tagged , , , | 10 Comments

PLAYING WITH FIRE

 by Karen E. Rigley
 
Critique groups and sharing critiques can prove invaluable to an author. Or not. A critique partner provides support, encouragement and often acts as a wonderful troubleshooter to recognize problems in your manuscript.
 
Yet one of the hottest situations a writer encounters is critiquing another writer’s work. It’s a common way to get burned. You might injure someone’s feelings or get your own feelings hurt.
 
How can such an innocent act cause trouble? Easy. Writers are as sensitive about their manuscripts as mothers are about their children. Explosive, in fact.Words are powerful and we need to be cautious in critiquing our fellow writers. Our purpose is to ignite the passion to create; not turn muse to ash.
 
Remember how inflamed you felt when you read that last reject or extensive rewrite request from an editor? Now think about coming face to face with that same editor; except it isn’t really an editor — it’s a colleague, a writer who may or may not be published equal to you — a friend, you thought, until you got back a rude comment or a critique longer than the manuscript itself.
 

Most writers truly want to improve their work. A critique can target passive verbs, uneven flow, discover a hole in the plot, repeative words, weak characterization, a jarring note, or offer a final proof-reading.  Effective critique methods depend on individual needs. To some writers every helpful comment turns into a match thrown onto the fire, but nurturing the good not just finding problems can increase flame resistance.

Yes, some authors exchange critiques without chopping egos into easily lit tinder or smoldering opposing views into flames of resentment. How?

It requires tact, professionalism and rules for fireproofing:

(1) Beware of extremely flammable situations:

(a) Writers with high sensitivity levels

(b) Crudely given criticism (it benefits no one)

(2) Remember opinions differ:

(a) When critiquing you’re offering your own opinion and your way is not the only way
(b) What one person hates; the next might love

(c) What one category/format/genre demands; another might not fit

(3) Basic editing and grammar must be tempered with familiarity for the type of work.

(a) If you’re a professional & published author, that does not qualify you as a total expert — often pure creativity & artistry trumps form or rules

(b) Develop a feel for what you critique and read for style & content & overall appeal. Sometimes the strangest things can trigger a deep response. A word or phrase can be a hidden gem. Tell them!

(4) Point out the positives, not just the negatives.

(a) It’s important for a critiquer to note what does appeal — vivid description, beautiful cadence, or maybe an author’s ability to evoke reader emotion. If they write great dialogue – tell them.

(b) A writer must learn what works as well as what doesn’t. Otherwise, if they rewrite they might lose whatever is good about their piece.

(c) A critiquer should encourage and nurture strengths

(5) Every writer is unique. Technical advice is fine, but don’t impose your writing style on another writer’s work.

(6) If you play with fire you might get burned, so exchange manuscripts with writers you trust.

(7) Douse flames with diplomacy before there’s a flare-up.

(a) An angry writer won’t listen

(b) Sometimes writers’ instincts are more important than rules

You may discover your own writing improves as you critique the work of fellow authors. Be brave and exchange manuscripts with your peers, because it’s great to listen and learn from other writers. Use encouragement to temper criticism.

Maybe no critique is fireproof — but it’s worth the risk.

 
 
Posted in Here's Karen!, Writing | Tagged , , | 10 Comments

Ah…It’s Mother’s Day

 Happy Mother’s Day to all the moms, stepmoms, grandmoms. The same goes for the moms who mother their dogs and cats (because we know they are our children, as well.)  And, since we’re adding moms of pets, I would be remiss in not wishing the same to authors—after all, how many times do you read or hear and editor or agent or workshop facilitator say “we know your manuscript is your child, but…”

  My mother is very special. She is a most unselfish person with her time, talents and praise.  She is also very artistic. She has her own art gallery in Kingsland, Texas appropriately called “Trails of Rembrandt.” She is in her seventy’s and still teaches art to elderly and home schooled children. So every day is a social event for her.

I tell you this, not only as a tribute to her, but to explain a little of my path towards writing. In high school I took an art class and she came in as a speaker. She must have been appalled by my inability to paint. I could draw—animals, flowers, etc. But needless to say I had to give it up. Then in my thirties I started singing lessons. Well, that’s an unfortunate age to begin a singing career without YouTube available. I still sing, however, only it more along the lines of holding my own karaoke parties.

In the early 2000’s, I decided I would do musical theater. The competition is brutal, even in community theater, though I’ll admit it broadens your network throughout a good-sized town for future endeavors. I was a nun in The Sound of Music, the ensemble (we sisters referred to it as the Nunsemble).  Theatre is fun for the most inappropriate gags, especially, if you played a nun.

Then in 2006 I began writing. Writing romance. And, it was there I found my niche. Or at least it seems to have found me. So I completely believe I owe my mom (and my grandmom—she sang with Bette Davis’ husband’s big band in the early forties for a short time), my profound love and thanks for what artistic abilities I inherited, in whatever form they manifested themselves.

My mom saved my first manuscript to compare to its published version. She couldn’t be more proud. Which, in turn, makes me proud. I hope I offer the same to my own daughter.

I love you, Mom.

Posted in Author, Creativity, Soul Mate Publishing | 7 Comments

Cal’s Double Chocolate Cherry Cookies

Good day, Soul Mate Authors Blog!

Calder Quinne here, stepping in for Casey Wyatt. She’s busy writing her next novel, Mystic Storm about Zephyr. Seriously, I don’t understand why the old wind bag, excuse me, God of the West Wind needs his own novel.

Whatever.

In case you don’t know me, I’m a demigod son of Ares and am madly in love with Nix, my sexy, sea nymph wife (see Mystic Ink for more details). Since my retirement from the Delian League (supernatural police force for all you newbies out there), I’ve become the proprietor of a bake shop – S’more to Love.

One thing I quickly learned was that women (and a lot men too) love chocolate with an almost fanatical obsession. Chocolate is worshipped to the point that I’m sure you won’t be surprised to learn there is a Goddess of Chocolate -Ixcacao. Supposedly, she’s part of the Aztec pantheon, but no one’s seen her in centuries.

I’m here to share one of my wife’s favorite recipes.  I can vouch these cookies will put a smile on any chocolate lover’s face.

Here’s what you need:

  • 1 1/4 cups sugar
  • 1 cup butter or margerine, softened
  • 1/4 cup milk
  • 1/4 teaspoon almond extract (if don’t have it, substitute 1 teaspoon vanilla extract instead)
  • 1 egg
  • 1 3/4 cups all purpose flour
  • 1/3 cup unsweetened baking cocoa
  • 1/2 teaspoon baking soda
  • 1 cup quick cook oats
  • 1 cup semi-sweet chocolate chips
  • 1 cup dried cherries

1. Heat oven to 350 F. In a large bowl, beat sugar, butter, milk, egg, and almond extract with an electric mixer until smooth. Stir in remaining ingredients. Drop dough by rounded tablespoons on an ungreased cookie sheet. I use parchment paper - the cookies bake more evenly and it’s easier to clean. Remember to leave about 2 inches between the dough.

2. Bake 10 to 12 minutes or until surface is no longer shiny. Another way to check for doneness – touch the center and if it barely leaves an indent – they’re done.  Immediately remove the cookies onto a cooling rack.

Yield: about 4 dozen. But seriously, they won’t last that long.

Thanks for having me today. If you’re ever in Mystic, CT be sure to stop by and say hi. Remember to support your local businesses!

Got any questions? Shoot’em my way!

Posted in Casey's Up!, Recipe | Tagged , , , , , , , , , | 12 Comments