3 Tips to Locate “Telling” Writing by C.D. Hersh

people talking

courtesy of Wikimedia commons

We’ve all heard the admonition “Show, don’t tell.” When we show we are producing better writing that will capture our readers. Showing, instead of telling, lets editors and agents see you are not an amateur.

In spite of hearing the phrase over and over, many writers don’t know how to recognize “telling” writing. Writing that tells analyzes, generalizes, editorializes and summarizes instead of making the writing interactive and sensory for the reader. Naturally, there will be some generalizations and summarization in your writing, but you need to make sure these elements are in the minority, not the majority of your book. You need to show what’s happening so the reader can create in her own mind the picture you, the writer, want to share.

To locate telling writing look for:

  • Passive sentences. Often passive sentences, especially those with the word was in them, are a tip-off you might be telling instead of showing. The sentence Sally was angry, is telling. Sally’s lips drew down into a thin, taut line, her jaw working side to side, shows me Sally’s anger. I can deduce from the picture that is painted how Sally feels because I know that look.
  • Passages that have very little sensory information. You can tell me the woman smelled good, was sexy, and she knew it, or you can show it by saying John turned to watch her as she strolled between the restaurant tables, her hips swaying like a belly dancer in slow motion. As she neared, she tossed her hair behind her shoulder, casting the scent of violets and vanilla in waves toward him. The fragrance made him salivate. Her perfectly manicured nails trailed along his shoulder as she passed by. He shuddered under her touch, and she smiled as he looked up at her. Here I know what the woman smells like, how she walks, how John reacts to her and how she reacts to him. Much stronger than just saying she was sexy.
  • “LY” adverbs. ‘LY” adverbs rob sentences of conciseness and force, making your writing weak. Which sounds stronger? The man yelled loudly or The man roared, the sound drowning out the radio. The dog’s tail wagged happily or The dog’s tail wagged in time to his barks as he bounded around the room. The taxi drove very slowly down the street, or The taxi crept down the street like a window-shopping snail.

Get the picture? By adding active verbs, sensory information and using fewer “LY” adverbs, you are showing the reader a snapshot of what’s happening, not telling him what’s happening.

Here are a few telling phrases that use the verb was.

  • The old man was a skinny lunatic
  • Sister Mary was a fanatical nun.
  • The paper was old.
  • John was the image of a disgruntled employee.
  • Mary was a frazzled mother.

Choose one, or two if you’re ambitious, and see if you can come up with a better picture. Post it so everyone can see what you created.

 

 

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About C.D. Hersh

Paranormal romance co-authors
This entry was posted in From the Desk of CD -, Soul Mate Publishing and tagged , , , , . Bookmark the permalink.

6 Responses to 3 Tips to Locate “Telling” Writing by C.D. Hersh

  1. You’re such accomplished writers! Thank you for sharing such vivid details to show us the difference!

  2. Dawn Ireland says:

    Excellent reminders! I still have to look for these points in the editing process. It’s so easy to slip passives and “ly” words into the story,

  3. Great advice! I’m guilty as hell, oft times I tell instead of showing, and have to go back and rewrite. If you’re aware of your failings at least you can revise and take what you’ve written and rewrite. Metaphors are crucial to showing, they give the reader something to relate to.
    Thanks,
    Tema Merback
    Writing as Belle Ami

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