Five Common Plot Problems by C.D. Hersh


There have been volumes written on plotting. After all, it is a critical element in every story. While we don’t claim to be an expert on the subject, we have picked up a few pointers on our journey in the writing world. Here are five common plot problem we’ve encountered and ways to solve them.


  1. Starting in the wrong place:

Begin where the trouble begins. This doesn’t mean you can’t have a prologue, but you’d better be sure it relates to where the trouble started. Take out those 20 pages of back story telling us how Betty Sue wasn’t getting along with her ex and how they finally got that divorce. Instead, do something like Jennifer Cruise did in one of her books where the heroine finds a pair of underwear in her husband’s car—and they aren’t hers! No need to tell us the couple has been having marital problems. The panties say it all.

  1. Having a weak conflict:

Conflict doesn’t mean constant bickering between your hero and heroine.  Strong conflicts must have consequences and the conflict and consequences must move the story forward. If your characters can work out the problem if they just talk or can walk away from their problems then your conflict is too weak. The conflict must force them to stay together. If you let them walk away at any point you must create a complication that forces them back together.

  1. A predictable plot:

A predictable plot has no surprises. We’ve all read and seen predictable plots in books and movies. You know where the story is going. You can guess who committed the murder. While stories like that can be enjoyable, we get the most pleasure out of a story that makes us say, “Wow, I didn’t see that coming.” And trust, us, we pick apart plots in books and movies all the time. To avoid predictable plots try making a list of 20 things that could happen, then eliminate your first five items. Those are usually the most predictable things. Make sure you leave a subtle hint that foreshadows the unexpected event so the reader won’t feel cheated with the surprise. You want them to be able to go back and say, “Yeah, I see where the author set that up. It was clever.”

  1. A plot that moves too slowly:

When your plot moves too slowly you usually have a pacing problem. Try solving the problem by adding subplots. Braid the subplots into the main story so all the plots interact with one another. Each plot line, main and subplots, need three turning points spaced approximately ¼, ½ and ¾ way through the book or through each plot line. Add twists and turns in the story to keep it going. You can also step up the pace of the story with shorter scenes and chapters, breaking up paragraphs to put more white space on the page and making sure there is tension on every page.

  1. An ending that doesn’t satisfy:

An ending that satisfies can sell your next book, because if your reader feels cheated by your ending it’s likely they won’t give you another chance. For romance readers this means a happily-ever-after ending, or at least the promise of one. Be sure to tie up all your plot lines before the end of the book.  The only exception to this might be if one of the plot lines begins a new book. Generally, the last plot line to be established is the first one to be completed. With romance, you want to solve all the other problems before you solve the romance.

Do you have trouble with plotting?



About C.D. Hersh

Paranormal romance co-authors
This entry was posted in From the Desk of CD -, Soul Mate Publishing and tagged , , , . Bookmark the permalink.

2 Responses to Five Common Plot Problems by C.D. Hersh

  1. sueberger3 says:

    Constantly. Thank you.

  2. viola62 says:

    Great tips! I love the idea of the wife finding the panties in the car! Also, I find that writing a satisfying ending in a series can be challenging. You can’t wrap everything up. A cliff hanger is necessary, but the reader may feel cheated. Some writers can pull it off. J. K. Rowling kept us intrigued with every Harry Potter, but not everyone can.

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